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2021 studio album past Tyler, the Creator

Call Me If You Get Lost
White background with a beige identification card centered. The identification card displays the name "Tyler Baudelaire" as well as a photo of Tyler.
Studio anthology past

Tyler, the Creator
Released June 25, 2021 (2021-06-25)
Studio
  • Chalice
  • Coldwater
  • Conway
  • Westlake (Los Angeles)
  • Shangri-La (Malibu)
Genre Hip hop[i] [2]
Length 52:41
Label Columbia
Producer
  • Jamie twenty
  • Jay Versace
  • Tyler, the Creator
Tyler, the Creator chronology
Igor
(2019) 		Phone call Me If You Get Lost
(2021)
Singles from Phone call Me If You Get Lost
  1. "Lumberjack"
    Released: June xvi, 2021
  2. "WusYaName"
    Released: June 22, 2021

Phone call Me If Yous Go Lost (stylized in all caps) is the sixth studio album by American rapper and producer Tyler, the Creator. The anthology was released on June 25, 2021, through Columbia Records. The album is narrated by DJ Drama and features guest appearances from 42 Dugg, YoungBoy Never Bankrupt Once more, Ty Dolla Sign, Lil Wayne, Domo Genesis, Brent Faiyaz, Lil Uzi Vert, Pharrell Williams, Teezo Touchdown, Fana Hues and Daisy World. Tyler produced the anthology himself, with additional production contributed past Jamie xx and Jay Versace.

The cover art depicts an identification card for a character named "Tyler Baudelaire" in reference to the French poet Charles Baudelaire, whose work has been regarded by music journalists equally comparable to the explicit nature and themes of Tyler's music. Genres on the album bridge hip hop, pop, jazz, soul and reggae.

Call Me If You Get Lost was supported by ii singles: "Lumberjack" and "WusYaName", both of which were released alongside music videos. The album received widespread acclamation from critics and has been described as a mix of styles, with hints of nostalgia throughout its production. Some critics compared the album to his previous release, Igor. It debuted at number one on the US Billboard 200, becoming Tyler, the Creator'southward 2nd US number-one anthology. Information technology was nominated for Best Rap Album at the 2022 Grammy Awards.

Concept [edit]

The comprehend art depicts an identification card for a character named "Tyler Baudelaire" in reference to the French poet Charles Baudelaire.[3] According to Matthew Ismael Ruiz of Pitchfork, "Baudelaire, the character Tyler plays throughout the album, is a proxy for Tyler's newfound worldliness—and his inability to leverage that sophistication into the relationship of his dreams."[4] Charles Baudelaire'southward most famous work, 1857's Les Fleurs du mal (transl.  The Flowers of Evil), was "originally banned for beingness too explicit, and Baudelaire himself was prosecuted for indecency", like to Tyler's evolution from an "angsty teen spewing filth for stupor value into sensitive lover human being with a mischievous streak".[4] Luke Morgan Britton of NME also compared the two, saying that both "accept been fixated on the struggle between romance and realism, luxury and beloved, dazzler and expiry, talents and controversies."[v]

Initially, when Tyler unveiled the cover fine art for Phone call Me If Yous Go Lost, people thought that he had taken inspiration from Ol' Dirty Bounder's 1995 album, Return to the 36 Chambers: The Dirty Version, when in authenticity he had taken inspiration from "...sometime passport and travel cards from early 1900s".[6]

Music [edit]

Tyler worked with DJ Drama on Call Me If You Go Lost, known for his mixtape series Gangsta Grillz.

NME 's Luke Morgan Britton chosen Phone call Me If Y'all Get Lost "an extensive culmination of Tyler's e'er-varying sound, showing that growth isn't e'er linear and that artists tin can be a multitude of things", farther saying that the anthology cements Tyler's place as a "generational talent, one in fine form and continuing to button the boundaries of his vision and kaleidoscopic audio."[5] The Guardian 's Alexis Petridis called the album's stylistic lurches both "unexpected and hugely impressive, the product of an artist with eclectic tastes and a disinclination to brand music that fits in with prevalent trends."[7] Petridis highlighted synth-pop, soul, reggae and jazz.[7] The Financial Times 's Ludovic Hunter-Tilney called the anthology'due south production "densely layered and quixotic", saying that "Lemonhead" switches from hard-hitting beats and a babble of voices into easy-listening bossa nova, while "Massa" switches a flute-led jazz routine into stripped-back hip hop.[2]

In comparison to Igor, The Contained 's Roisin O'Connor said "the product hither [on Call Me If Yous Become Lost] is as slick as Igor, though, there's less of a through line. Igor was the devastating pieced-together parts of a broken human relationship. Call Me If You lot Go Lost plays fast and loose with its subjects, relying instead on the music itself to acquit listeners through."[8] According to Pitchfork 'south Matthew Ismael Ruiz, Tyler is more "skilful than ever at weaving unlike ideas into one cohesive song, rather than just smushing them together" on the album.[4] Ruiz described Tyler's production equally "toying with movement in the mix, bouncing sounds betwixt left and right channels for an immersive headphones feel."[4] While Call Me If You Become Lost has a very specific underlying narrative lyrically, Ruiz said that the product styles seem to tell the story of Tyler's whole career upward to this point: mail service-Thundercat R&B, a Gravediggaz horrorcore sample, and a Salaam Remi flip comparable to the music of Kendrick Lamar.[4] Ruiz chosen the album a return to rap following the pop sound of Igor, though notes that Tyler is also "conspicuously calorie-free years away from the skeletal productions of his offset few records."[4] Konstantinos Pappis of Our Culture Mag described the album'south songs equally having "cinematic grandeur and meticulous arrangements that have characterized Tyler'due south recent material".[9] Pappis also noted that the sound is as "wondrously nostalgic" as they were on Flower Boy.[9]

Craig Jenkins of Vulture as well regarded the album as a step dorsum into "the cranky, devil-may-intendance way and mental attitude of his [Tyler, the Creator's] early days" while as well channelling "all the means he's changed since then".[1] Jenkins highlighted Phone call Me If You lot Get Lost equally a departure from the "lighter and more soulful aesthetics of Igor in favor of brash beats and raw rhymes... somewhat afterward the Gangsta Grillz mixtapes of the aughts and early 2010s."[one] Chris Deville of Stereogum found that Phone call Me If You Get Lost has influences of hip hop blockbuster albums, such every bit The Marshall Mathers LP (2000) and Tha Carter III (2008).[x] Deville also said that "the sheer grandiosity" of the album – "the elaborate cinematic product, the insane cast of guest rappers" – is reminiscent of Kanye West's earlier music.[ten] Deville also notes that the samples from various 1990s rappers compare to the gilt historic period of blast bap.[10]

Themes [edit]

Marcus Shorter of Consequence said of the anthology that cocky-sensation dominates its second half.[11] Shorter farther notes that romance is a prominent theme in the album's 2nd half: "That journeying includes heartbreak, because no Tyler, The Creator anthology is consummate without romance."[11] Shorter specifically describes "Wilshire": "He stumbles over words and mumbles parts of a pitiful story, sounding like someone non fully set up to handle the truth. On an album filled with dope lines from a guy who always says it with his breast, "Wilshire" is a rare moment where nosotros feel him holding back. The ego is tucked into the cupboard for one vocal, farther blurring the lines between the man, the persona, and the alter-ego."[11]

Release and promotion [edit]

On June 9, 2021, a promotional billboard for the album'due south rollout was spotted in Los Angeles,[12] which was followed by more than sightings in other major cites around the world.[13] The billboard read "Call Me If You Go Lost" and included the telephone number, +1 (855) 444-8888. When chosen, a recorded message was played of a chat between Tyler and his female parent.[12] That recording is in the album as the track "Momma Talk".[xiv] [15] Soon thereafter, a website was discovered that references the billboard and phone number, appearing to be another aspect of the album's promotion.[12] On June 15, Tyler tweeted the telephone number which was seen on billboards the week prior, confirming his involvement.[16]

On June xiv, 2021, Tyler teased new music in a short video titled "Side Street", featuring himself belongings a dog while making out with a adult female.[17] There is as well a cameo of fellow Odd Futurity member Taco Bennett closer to the terminate of the video.[18] [19] Tyler directed the video under the moniker of his alter-ego Wolf Haley.[xx] On June 16, 2021, Tyler released a song titled "Lumberjack", which was accompanied past a short music video, too directed by Tyler himself as Wolf Haley.[21] [22] The vocal samples the vocal "ii Cups of Blood" by Gravediggaz.[23]

The following day, June 17, Tyler officially confirmed the album's title as Call Me If Y'all Go Lost and announced a release date for June 25.[24] He also announced the cover art and merchandise through his streetwear make Golf Wang.[25] On June 22, 2021, Tyler released the album's second single titled "WusYaName" featuring rapper YoungBoy Never Broke Again, also accompanied by a self-directed short music video.[26] [27] Employing elements from '90s-era R&B, this vocal samples H-Town's "Back Seat (Wit No Sheets)" and, unlike "Lumberjack", bears a close resemblance to his recent, more than soulful albums.[26] [27] On June 23, 2021, Tyler released some other teaser for the anthology in the course of a self-directed comedy sketch titled "Brown Sugar Salmon".[28] The video features Tyler, referred to as "Sir Baudelaire", on a railroad train attempting to order a meal without success.[29] [thirty]

Post-obit the album'southward release on June 25, 2021, Tyler released a video to accompany the track "Juggernaut". Though it does include the guest verses from Lil Uzi Vert and Pharrell Williams, just Tyler himself appears in the video.[31] [32] On June 29, 2021, Tyler released a music video for "Corso". In the video, Tyler is performing at a birthday political party in the company of DJ Drama.[33] On July 8, 2021, Tyler released a music video for "Lemonhead". The video does not include the invitee verse from 42 Dugg.[34]

Tour [edit]

On August 3, 2021, Tyler appear the Phone call Me If You Become Lost Bout starting on February 8, 2022, in Phoenix at Footprint Center and concluding on August 3, 2022, in Melbourne at Rod Laver Loonshit. The North American leg with approximately 35 shows will be supported by Kali Uchis, Vince Staples, and Teezo Touchdown, while Kali Uchis will besides support the Australian leg.[35] [36]

Critical reception [edit]

Professional person ratings
Aggregate scores
Source Rating
AnyDecentMusic? 8.4/10[37]
Metacritic 88/100[38]
Review scores
Source Rating
AllMusic [39]
Clash 8/10[40]
Evening Standard [41]
Exclaim! 9/10[42]
Fiscal Times [2]
The Guardian [7]
The Contained [8]
NME [5]
Pitchfork 8.four/ten[43]
Rolling Stone [44]

Call Me If Yous Go Lost was met with widespread disquisitional acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an average score of 88, based on 20 reviews.[38] Aggregator AnyDecentMusic? gave it 8.4 out of 10, based on their cess of the disquisitional consensus.[37]

The Independent 'south Roisin O'Connor gave Phone call Me If You Go Lost five out of five stars, and said it feels like "the apotheosis of all Tyler's past works."[viii] They as well noted the seamless transitions between tracks.[eight] Disharmonism praised Tyler's "refusal to exist caged in by whatever fix sound or genre" and noted tracks "Sugariness / I Thought You lot Wanted to Trip the light fantastic" and "Wilshire" as standouts.[forty] David Smyth of the Evening Standard mentioned the anthology's varied "global" sound and said, "Tyler's music is as fascinating as ever."[41] Alexis Petridis of The Guardian wrote that bursts of "kaleidoscopic synth-pop, soul balladry and jazz sweep you lot", saying that the album could "accept a lot of fourth dimension to fully unpick, but conspicuously isn't going to diminish in quality if you lot practise so."[7] Ryan Rosenberger of The Line of Best Fit said, "Fourth dimension will tell exactly where this album lands in Tyler, The Creator's discography, merely Call Me If You Get Lost is yet another memorable record from Wolf Haley himself, ane that only farther cements his status as ane of the best artists of his generation".[45] Luke Morgan Britton from NME enjoyed the album, proverb, "The iconoclast confronts cancel civilisation, his own controversial past and the notion of personal growth on a kaleidoscopic record that reaffirms his greatness".[5] Pitchfork critic Paul A. Thompson said, "Information technology grants him the freedom to play with tone, to write personally or utilize his gravelly vocalism as texture, to treat the harshest raps and the most frail hooks as mad experiments gone incorrect".[43] Wesley McLean of Exclaim! said, "Tyler has delivered a project that withal again pushes the boundaries of his music while simultaneously being a culmination of everything that he'south done so far. It's yet another impressive outing for an artist whose reign doesn't seem to be stopping whatsoever time soon".[42]

Sofie Lindevall of Gigwise summarized: "With his sixth studio anthology Call Me If You lot Get Lost, Tyler turns everything up-side-down over again, resulting in one of the well-nigh dynamic and interesting entries in his discography so far."[46] A positive review past Craig Jenkins of Vulture concluded with telling the reader to "Look between the many detailed descriptions of Rolls-Royce interiors, beautiful boats, and international travel, across the over half-a-dozen mentions of passports," and that they'll find, "A love story".[1] Paste magazine'southward Matt Mitchell gave Call Me If You lot Get Lost an 8.vii out of 10, and said the crowning achievement of the record is "the manner it sharply reminds every listener that the early entries in an creative person's discography are not parts of their past meant to be forgotten".[47] Reviewing the album for AllMusic, David Crone claimed that, "Tyler's music has ever been a patchwork of ever-increasing palettes, and CMIYGL is his most complex to date."[39] Rolling Stone 's Jeff Ihaza summarised Tyler'southward endeavour as a maturing into "some of the more compelling rap music being fabricated today", calling Call Me If You Get Lost Tyler's best work to engagement.[44]

Twelvemonth-end lists [edit]

Manufacture awards [edit]

Commercial performance [edit]

Phone call Me If Yous Get Lost debuted at number one on the US Billboard 200 dated July x, 2021, earning 169,000 album-equivalent units, becoming Tyler's second US number-one anthology.[61] The post-obit week, the anthology cruel to number vi, moving 44,000 units, a 74% decrease in units. It is the commencement number one album of 2021 to last only a single week in the chart's top 5. The last album to exercise this was Shawn Mendes' Wonder, which savage from number 1 to number 25.[62]

Thirteen of the anthology's songs reached the The states Billboard Hot 100, with "WusYaName" reaching the summit xx of the chart.[63]

Track listing [edit]

All tracks are produced by Tyler, the Creator, except where noted.[64] [65]

Call Me If Yous Get Lost track listing
No. Title Author(s) Length
1. "Sir Baudelaire" (featuring DJ Drama)
  • Tyler Okonma
  • Billy Cobham[a]
1:28
2. "Corso"
  • Okonma
  • James Asher[b]
2:26
3. "Lemonhead" (featuring 42 Dugg)
  • Okonma
  • Dion Hayes
 2:10
4. "WusYaName" (featuring YoungBoy Never Broke Again and Ty Dolla Sign)
  • Okonma
  • Kentrell Gaulden
  • Tyrone Griffin, Jr.
  • Bishop Burrell, Sr.[c]
  • Delando Conner[c]
  • Solomon Conner[c]
  • Darryl Jackson[c]
2:01
v. "Lumberjack"
  • Okonma
  • Larry Willis[d]
  • Anthony Ian Berkeley[d]
  • Arnold Hamilton[d]
  • Paul Huston[d]
  • Robert Diggs[d]
2:18
6. "Hot Air current Blows" (featuring Lil Wayne)
  • Okonma
  • Dwayne Carter, Jr.
  • Henry Mancini[due east]
  • Norman Gimbel[e]
2:35
7. "Massa" Okonma 3:43
8. "RunItUp" (featuring Teezo Touchdown)
  • Okonma
  • Aaron Thomas
 3:49
nine. "Manifesto" (featuring Domo Genesis)
  • Okonma
  • Dominique Cole
  • Barry White[f]
2:55
10. "Sweet / I Thought You Wanted to Dance" (featuring Brent Faiyaz and Fana Hues)
  • Okonma
  • Christopher Woods
  • Fana Hughes
  • Fil Callender[g]
9:48
11. "Momma Talk" 1:ten
12. "Ascension!" (featuring Daisy Earth; produced by Tyler, the Creator and Jamie xx)
  • Okonma
  • Daisy Hamel-Buffa
  • James Smith
 3:23
thirteen. "Blessed" Okonma 0:57
14. "Juggernaut" (featuring Lil Uzi Vert and Pharrell Williams)
  • Okonma
  • Symere Woods
  • Pharrell Williams
 two:26
15. "Wilshire" Okonma 8:35
sixteen. "Safari" (produced by Tyler, the Creator and Jay Versace)
  • Okonma
  • Jahlil Gunter
 ii:57
Full length: 52:41
CD release
No. Title Author(s) Length
16. "Fishtail"
  • Okonma
  • Alvin Worthy[h]
  • Amber Croskey[h]
  • Thomas Paldino[h]
  • Eliot Dubock[h]
3:25
Total length: 53:09

Notes [edit]

  • All track titles are stylized in all caps.
  • "Lemonhead" features uncredited spoken give-and-take by Frank Ocean[66]

Sample credits [edit]

  • ^[a] "Sir Baudelaire" contains excerpts from "Siesta", written and performed by Baton Cobham; and an uncredited sample of "Michael Irvin", performed by Westside Gunn.[67]
  • ^[b] "Corso" contains excerpts from "Oriental Workload", written and performed by James Asher.
  • ^[c] "WusYaName" contains samples from "Back Seat (Wit No Sheets)", written by Bishop Burrell Sr., Solomon Conner, Delando Conner, and Darryl Jackson, performed by H-Boondocks.
  • ^[d] "Lumberjack" contains excerpts from "Inner Crisis", written and performed by Larry Willis; samples from "ii Cups of Blood", written by Anthony Ian Berkeley, Arnold Hamilton, Paul Huston, and Robert Diggs, performed past Gravediggaz; and excerpts from "Hihache", performed by Lafayette Afro Rock Band.
  • ^[eastward] "Hot Current of air Blows" contains excerpts from "Slow Hot Wind", written past Henry Mancini and Norman Gimbel, performed by Penny Goodwin.
  • "Massa" contains excerpts from "If It's in You to do Wrong", performed by The Impressions.
  • ^[f] "Manifesto" contains samples from "I'g Gonna Love You But a Little More Baby", written past Barry White, performed by Jimmy Smith.
  • ^[thousand] "Sweet / I Thought Yous Wanted to Dance" contains excerpts from "Is Anyone There?", performed by Hookfoot; and "Infant My Love", written by Fil Callender, performed past The In Crowd and Jah Stitch.
  • ^[h] "Fishtail" contains excerpts from "Lessie", written by Alvin Worthy, Bister Crowley, Thomas Paladino, and Eliot Dudock, performed by Westside Gunn.

Personnel [edit]

Credits are adapted from the album's liner notes and Tidal.[64] [65]

Musicians [edit]

  • Fabian Chavez – flute (tracks one, half-dozen, 7, 11, 16)
  • Devon "Jasper" Wilson – additional vocals (runway two)
  • Lionel Boyce – additional vocals (tracks 2, five)
  • Vic Wainstein – additional vocals (track 2)
  • Domo Genesis – additional vocals (rail 5)
  • Travis Bennett – boosted vocals (track five)
  • DJ Drama – hosting

Producers and engineers [edit]

  • Tyler, the Creator – production (all tracks), recording (tracks i–5, 7–8, 12–xiii, 16), executive product
  • Jamie xx – production (track 12)
  • Jay Versace – production (track 16)
  • Vic Wainstein – recording (tracks ii–9, 12–xvi)
  • Jason Goldberg – recording (track 4)
  • Gregory Scott – assistance (tracks two, 15)
  • Ben Fletcher – aid (tracks 3–5)
  • Bobby Mota – help (tracks 4, 9)
  • Jonathan Pfarr – assistance (tracks 4, ix)
  • Josh Sellers – assistance (track half dozen)
  • Robert N. Johnson – assistance (tracks 7, 16)
  • Sam Morton – assistance (runway 12)
  • Neal H Pogue – mixing
  • Zachary Acosta – mixing assistance
  • Mike Bozzi – mastering

Artwork [edit]

  • Darren Vongphakdy – art direction
  • Wolf Haley – fine art direction
  • Luis "Panch" Perez – cover photography

Charts [edit]

References [edit]

  1. ^ a b c d Jenkins, Craig (June 25, 2021). "Tyler, the Creator Has Come Full Circumvolve". Vulture . Retrieved June 25, 2021.
  2. ^ a b c Hunter-Tilney, Ludovic (June 28, 2021). "Tyler, The Creator toasts his good fortune in Call Me If You Get Lost". Financial Times . Retrieved June 29, 2021.
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  4. ^ a b c d east f Ruiz, Matthew Ismael (June 25, 2021). "5 Takeaways From Tyler, the Creator's New Album Call Me If You lot Get Lost". Pitchfork . Retrieved June 27, 2021.
  5. ^ a b c d Britton, Luke Morgan (June 28, 2021). "Tyler, the Creator – 'Call Me If You Become Lost' review: a love letter to the genre that made him". NME . Retrieved June 28, 2021.
  6. ^ Kent-Smith, Jasmine (June 28, 2021). "Tyler, the Creator launches Call Me If You Become Lost album fine art generator". Crack Mag . Retrieved August 29, 2021.
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  9. ^ a b Pappis, Konstantinos (June 30, 2021). "Album Review: Tyler, the Creator, Telephone call Me If You Get Lost'". Our Culture Mag . Retrieved June 30, 2021.
  10. ^ a b c Deville, Chris (June 25, 2021). "Review: On 'Call Me If You lot Get Lost,' Tyler, The Creator Takes A Left Plow Into Classic Hip-Hop". Stereogum . Retrieved June 27, 2021.
  11. ^ a b c Shorter, Marcus (June 25, 2021). "Call Me If You Become Lost Is the Rap Anthology Tyler, The Creator Fans Have Wanted For Years". Consequence . Retrieved July vii, 2021.
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External links [edit]

  • Call Me If You lot Get Lost Official Website
  • Call Me If Yous Get Lost at Discogs

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Source: https://en.wikipedia.org/wiki/Call_Me_If_You_Get_Lost

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